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The idea for The Gate came from that camera angle, one shot, and has nothing to do with dialogue in the scene. But then I got really into watching a clip of Christopher Walken in The Prophecy.
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I was actually going to do something that was underwater as my first idea. I wanted to try something I’d never seen before and to take a risk. Other than classic horror films, what references did you pull from as you conceived and created The Gate? We have a couple licenses for Harmony 21 and really want me to play around with it, because word on the street is the painting tools and brushes have been revamped.
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There’s something about painting in this software that I can’t get over. Painting in Harmony is actually a new hobby for me now. I wanted to test the boundaries and see if I could paint something with depth and tie everything together in Harmony. Everything you saw in The Gate was done in Toon Boom there was no outside software. I knew I put my all into it, but you never really know if it’s going to work or have the punch you want it to. Shane Plante: Horror can be very unforgiving, and I didn’t know if it hit home until it was done. The Gate is a 2d-animated horror short, by Shane Plante, about finding things that should have remained forgotten.Ĭartoon Brew: How do you feel looking back at The Gate now that it’s out in the world? We caught up with Plante to discover how he used Toon Boom Harmony to bring his vision to life - or death, as the case may be.
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With The Gate, he was able to combine his professional experience animating shorts with his personal love for horror, creating something that is rarely seen in mainstream animation: terror. An animator at the Ottawa-based studio for the last 14 years, he is a self-described “jack of all trades but master of none” who has worked largely on Mickey Mouse shorts, alongside other projects. Working as part of the Mercury Shorts program, Plante created the entirety of The Gate using Toon Boom Harmony (including the backgrounds!). He brought his sensibility for scares to his latest short, The Gate. Mercury Filmworks’ senior animator Shane Plante has a taste for these ingredients of fright, having a lifelong appreciation for the genre.
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Note: 21 days trial version, no credit card required.Great horror storytelling shares key elements - fear, revulsion, surprise, and terror - which allow a scene to become truly haunting. It's now easier than ever to build node graphs that are organized, simple to navigate and will help streamline workflow. Having this tool available right where artists need it helps streamline work and save time when creating frame-by-frame paperless animation. It helps you stay focused on the task at hand by neatly consolidating your go-to onion skinning tools and newly added features into one window.Ī new Shift and Trace tool is now available in Camera view. Import multilayer PSD and PSB files, Illustrator, PDF, bitmaps and audio. The program is designed to integrate with other software in a production pipeline.
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Add volume and lighting effects to characters with automatic tones and highlights that can be animated.Ĭreate 2D animation for your game that is lightweight and compatible with game engines like Unity. Master controllers save time when animating sophisticated rigs.Īdd special effects, camera angles and composite scenes seamlessly. Powerful tools to create cut-out animation from rubber hose to hand drawn looks.īuild simple to advanced rigs with specialized tools. Revolutionary vector/bitmap drawing technology with unlimited artistic potential.Īdvanced colour palettes provide efficient control over texture and colour on every frame.Īccess to a complete toolset for traditional frame-by-frame animation.Īnimate 3D models and their individual parts directly in the app Premium version for more creative control when integrating 3D elements with 2D characters.